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“Beauty is at once the ultimate principle and the highest aim of art,” asserts Johann Wolfgang von Goethe. This series by accomplished photographer manages to illustrate this philosophical musing on the subjects of beauty and art. Nova brings both together in a memorable collection.
Danae’s phenomenal physique is framed by sequined bands of black and green material. This scant costuming is seen in other galleries by the photographer. It’s an effective device to contrast the horizontal placement of these bands of color against the uniform hue of flesh tones, contours, and angles. Open-toed stiletto heels adorn the vixen’s petite feet. The model’s hair is swept into a sophisticated up do. The styling accentuates Danae’s pretty face. Her bronze flesh is tanned and faultless.
This photo shoot is conducted in a kitchen setting which stirs the imagination. One can only image watching Danae performing the domestic chores of cooking and washing dishes in her bare attire. Wood cabinetry and granite are the dominant elements of the ultra-modern kitchen setting pictured in “Two.”
Danae’s majestic form is highlighted in the introductory image for this gallery. The enchantress perches her nude body on top of a row of cabinets. One of her legs rests on the countertop beside her while the other gives her balance planted on the floor. The model’s fit and toned physique is hypnotic.
The model is photographed with the shimmering green accent fabric arranged in a criss-crossed pattern across her chest in the first showcased image. Nova’s creativity with the use of this accent is appealing and indicative of his photographic talents. Danae’s refined facial features are also highlighted in this up close picture.
Danae faces the camera directly in the next photo. The heavenly creature is seated at the edge of the granite counter with her thighs generously parted. This pose gives viewers the opportunity to admire the smoothness that’s clearly exposed. A countenance of seductiveness is unmistakable on Danae’s lovely face.
Giovanni Nova offers a tastefully explicit view of Danae’s most intimate space in the final picture from “Two.” The model’s bottom is photographed at a close range as Danae extends her legs upward. Low-key lighting softens the edginess of this image.
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